Qool Marv Aural Memoirs and Buttamilk Archives // MusiQuarium Of Wonder // Instruments Of Mass Construction // Music4Winners // Intelligence'n'Music // Notes To Self // Low Profile International

by Qool DJ Marv

Qool Marv Aural Memoirs and Buttamilk Archives // MusiQuarium Of Wonder // Instruments Of Mass Construction // Music4Winners // Intelligence'n'Music // Notes To Self // Low Profile International
  • Language: eng
  • Episodes: 242
  • Last: 13 Feb 2018
There is a method to the magic in the way Qool DJ Marv presents and plays music. He tunes into the atmosphere of the venue and the energy of the people, and then he blends what he sees with what he hears. Intertwining many styles for many faces from many places, Qool DJ Marv captivates you with his blend. The fluid flow and continuously ascending momentum of his wide-ranging sets is inviting, hypnotic, and breathtaking. Qool DJ Marv crafts an unforgettable feel good, get down party where everyone in the room will hear something that they enjoy. It’s as if he knew you were coming. An inventive pioneer, Qool DJ Marv deliberately defies categorization to great effect. An evening of Qool DJ Marv may include a mind boggling array of selections spanning many eras and decades of music including R&B, Hip-Hop, Reggae, Latin, House, Jazz, Funk, Rock & Roll, Soul, and Disco classics, and Eclectic beats from around the world. Since 1994, Marv has been producing mixed tapes/CD compilations that illuminate the many styles of music that he loves but have fallen short of major exposure and marketing. The series “Beats, Jazz, & Soul” and “Qool Classics” are adored by people from all walks of life from all over the globe. People enjoy the meticulous attention to the sequencing and the seamless continuity of the mixing. Qool DJ Marv has a way of introducing genre-defying songs to listeners who previously may have only preferred popular mainstream offerings. It’s Qool DJ Marv’s laid-back demeanor and the playfully enchanting smile that you first notice. He is genuinely pleased to meet you and despite his even keel, he’s bubbling at the thought of what he has in store for your listening, dancing, and celebratory pleasure. There’s an exuberant idealism in Marv’s appealing mix that bridges us all – with a universal vibe, everybody gets down. https://www.facebook.com/QoolMarv ______________________________ FRIDAYS | Bar Six Qool DJ Marv spins vinyl on Fridays at Bar Six in Manhattan's West Village. 502 6th Avenue between 12th & 13th streets. Time: 10:30pm-2:00am ______________________________ SATURDAYS | Bar Room Marv plays it cool at the Bar Room near Central Park on the Upper Eastside 117 East 60th Street, New York, New York 10022 (Between Lexington & Park) Time: 11pm-2am ______________________________ TUESDAYS | Soho House 29-35 9th Ave, New York, NY 10014 Time: 7pm-12 midnight ______________________________ Qool DJ Marv has been inspiring, enlightening and exciting music lovers and dancers for 25 years. He keeps a low profile on purpose because he prefers being heard and not seen. Although he has played for many famous people, he loves living a life where, once the party is over, he literally blends back in to a modest everyday life, recognized by no one...except those with discerning ears. Marv loves music. His pursuits to share his affinity for celebratory music that enlivens, emboldens and inspires is his motivation. His first goal when he began to DJ was to make a mixed cassette tape that would be enjoyed so much that people would copy it for their friends and encourage them to listen to it. Caring nothing about earning cash, at first, Marv just wanted to be heard and shared. Marv's earnest approach to DJing included respecting the craft and developing his skill so that he would be heard and regarded as a 'real DJ' (based on old-school definitions: Seamless mixing of his great record/music collection, flow and ability to read crowds). Marv's attention to performance detail combined with an open mind about including off-chart music in his repertoire caught the attention of a few major players in the music, fashion and television industry. In 1995, Terry Lewis (of Jimmy Jam and Terry Lewis) gave Marv, who was employee of his Perspective Records label, the chance to play a warm up set at a venue called Tramps for the band Mint Condition. The owner of Tramps approached Marv about being the opening DJ for shows that featured 'urban' music and Marv got to open for artists ranging from Erykah Badu to George Clinton & Parliament Funkadelic to the Fugees, A Tribe Called Quest, The Roots, Chic, Rick James and Outkast. Marv solidified his status as the in-house DJ for Tramps and that led to an opportunity to work on a legendary night that would introduce him to many elites in the entertainment industries. Prince had a show at Madison Square Garden and he'd set up an after party and jam session to take place at Tramps and Marv was there to keep the crowd happy while they waited a couple of hours for Prince to arrive. In the crowd was a vice-president at Viacom who connected with Marv, and soon, Marv was playing at events for MTV, VH1 and Nickelodeon. Since Marv essentially leapfrogged the club scene and found favor in New York's special events industry, Marv never pursued gigs at large and popular clubs. Since Marv didn't feel good about being part of bottle service club scenes where people paid as much as they would to take a vacation, for one night out - Marv chose to play at modestly sized but beautifully intimate venues where he could include and play diverse sets of music that went way beyond the hits. From the mid to late 90s until present, Marv has had a presence at "those-who-know" hot spots like Bar Six (West Village), Ludlow Bar (Lower East Side), Izzy Bar (East Village), Table 50 (NoHo), APT & Soho House (Meatpacking District) and Red Rooster (Harlem). Marv's style and approach at all of those cool places continually created more opportunities, some of which got Marv to Hollywood and around the world. A smart man (college degree from Emory in Atlanta and Master's degree from Columbia in New York), Marv realized that many entertainment industry people, with decision making power, preferred 'cooler' and less crowded places to hang because they could still communicate and do business. Those with that power also usually had an experience driven refined discernment regarding who they perceived as gifted. Marv realized that in less hectic environments, he had more of a chance to be heard doing what he does best - bringing it all together. Bringing it all together, with a universal vibe and a smile as wide as the universe, Marv became an attractive DJ to hire when organizations felt the need to "change it up." Marv's confidence is born out of an ear for good music, which includes more than popular music, so those who gave him a chance would get a nice dose of refreshing sounds along with the all time classics and contemporary hits. This approach, galvanized by great technical skills and greater personable skills, got Marv gigs with the NBA, Major League Baseball, NBC, Showtime and HBO. Since 1998, Marv has done more than 50 events for HBO, in and outside of New York, for nearly every major series. The casts and crews of the Sopranos, Sex in the City, Oz, The Wire, Entourage, Treme, Boardwalk Empire and Game of Thrones have all enjoyed the Marv vibe. Marv has also done 7 of HBO's Emmy parties and 2 Golden Globe parties. Globally (remember Marv's original DJ quest, make a great mix?), Marv, starting in 1998, has been to Berlin, Manchester, London, Paris, Glasgow, Edinburgh, Oslo, Barcelona, Dublin, Abu Dhabi, Dubai, Moscow, Croatia, Acapulco, Jamaica and the Bahamas. All of this was possible because Marv's mixtapes got heard, loved, copied and spread throughout the world. Around the United States, Marv has played private events or nightclub venues in many of America's top cities including Miami, Las Vegas, San Francisco, Dallas, Boston, Chicago, Washington D.C., Charlotte and Atlanta. Currently, Marv still DJs 4 times weekly in New York City, including twice a week at the exclusive Soho House. Marv also hosts a 2 hour radio show, every Wednesday night on Philadelphia's WURD. Marv welcomes anybody and everybody to download his mixes, medleys and compilations on his ad-free website: djqoolmarvsounds.podomatic.com/. For booking in New York or the U.S., contact Marvin Coleman at djqoolmarvsounds@buttamilk.com For booking outside of the U.S., contact Andrea Ahimie-Carthy at andrea@bambu-uk.co.uk ______________________________ Q&A Curious: All at the same time you've seamlessly built a worldwide underground following, you are considered one of New York’s best eclectic vibe lounge DJs, and you’re the DJ that HBO hires when they want their special events to have a special themed sound. Without being overtly mainstream or particularly well connected, how have you managed to maintain and extend your career? MARV: My idealistic drive to share music that I’ve discovered has become a vehicle to earn more opportunities to keep playing or working with music. I first DJ’ed at Emory University in 1989 but in the mid-90s I began producing cassette mixtapes of off-the-radar music for my friends (mainstream music listeners who heard most new music on the radio). I interned at a commercial radio station in Philadelphia and learned that carefully calibrated radio formats were less about music and more about ads. Realizing that a lot of radio-worthy music that I was buying wasn’t making it to the airwaves, I made tapes to fill the gap amongst my peers. Encouraged by positive feedback and a want for more of my way to mix, I kept going…I keep going. I went out to hear the best in Philly and in New York City and never forgot the way they did what they did and how the crowds responded. Honing in on subtlety and skillful application of mixing techniques, I simply wanted to be on their level by way of earnest listening and practice. In 23 years I have recorded more than 400 mixes including live sets and home studio concepts and from day one, my way to play and my sound has been travelling. In other words, to answer your question succinctly: I’m sincerely gifted with an ear for the all time, bandwagon cash-in trend adverse, and tirelessly committed to opening ears and minds while moving butts. No worries, I do enjoy playing pop too, but I always wanted to have a chance to play all music because I truly do love all music and the truth is that the ‘hot’ DJ of those pop scenes, always gets cold.

Episodes (242)